1. |
Stratagème #1
04:59
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2. |
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3. |
Stratagème #2
07:12
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5. |
Musical Banks
11:55
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We started this piece by devising an analogy between what appears to us to be two opposite ways of confiscating time : music and money. Our attention was drawn towards an acoustic snapshot by the French composer Luc Ferrari that he identified as a money machine and within this disruptive process came the necessity to link the dystopia Erewhon written by Samuel Butler in the late 19th century. We focused on the controversial chapter named Musical Banks where Butler describes how money or currencies are reminders of our bygone relationship with gods thus money is not only a commodity void of sacredness – if not a straightforward profanation - but a paradoxical artefact whose sole purpose is to minimalise emotions within human interactions. Consequently one could consider the social act of music to be the strict opposite of the antisocial commodity that money materialises.
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6. |
Stratagème #3
07:12
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7. |
Intermission
00:33
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8. |
Unbehagen live in Paris
36:46
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cairos Paris, France
Cairos is a collective working in architecture, visual art, film, sound and music. Cairos edition is it's platform publishing works in the field of sound art, electroacoustic and improvisational music, featuring international artists and crossover collaborations into audiovisual, performing and installation arts. ... more
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